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Cakewalk - Z3TA+ 2 - The Ultimate Waveshaping Synth. Following the acquisition of certain assets and the complete set of intellectual property of Cakewalk Inc. From Gibson Brands on 2/23/18, BandLab Technologies announced the relaunch of SONAR as Cakewalk by BandLab - available free-to-download to all BandLab users worldwide. This page contains patches and sound banks for Z3TA+ and Z3TA+2 by Cakewalk. The legendary waveshaping sound of Z3TA+ (zay’-ta) is back – and better than ever. New filters, modulatable waveshapers, flexible effects, expressive control and a gorgeous new interface make Z3TA+ 2 one seriously powerful synth. It’s not often that a soft synth can.

Z3TA+ 2: The Ultimate Waveshaping Synth

Z3TA+2 is designed to suit any and all of your electronic productions. From pop to trap, energetic to atmospheric, you’ll have the sounds you need at your fingertips.

• Ultimate waveshaping control with dozens of sonic tools
• Intuitive and graphically responsive interface
• 2,000+ professionally crafted presets
• Built-in fully customizable studio quality FX.

Waveshaping Synthesis

• Choose, tweak, and fine-tune your waveform
• Free and adaptive pitch-bending analog style performance grid
• 14 continuously variable dual-stage filter types
• Envelopes to control any parameter
• 6 Powerful LFOs for individual or universal control
• Straightforward Mod Matrix and Arpeggio tools
• Global control for a crushing brickwall limiter, level, tuning, and polyphony

Built-in Effects

• 5 distortion types, plus routing options and continuously variable controls
• Slow, Medium, and Fast compression with threshold, ratio, and makeup gain controls
• Totally tweakable Room, Hall, and Plate reverbs
• 7-band graphic eq with variable band settings and colorful Simulator Mode
• 9 adjustable Chorus, Phaser, and Flanger effects
• 4 Stereo Delay types with Sync and EQ controls
• Drag-and-drop effects in any order

Banks Collection :

Adam (Sabo) Van Baker Soundset Z3TA+
Alchemist Trance Bank Z3TA+
Beben Z3TA+
BigTone Ambient Trance Textures 1.4 Z3TA+
BigTone Ambient Trance Textures 2.1 Z3TA+
Bruce Rainier Cat9-1 Pads Z3TA+
Bruce Rainier Pads Z3TA+
Cakewalk Mutant Revolution Z3TA+2
Cakewalk Z3TA+ 1.5.3
CCPurno Dual Reality Z3TA+
CHE Andromeda Galaxy Soundset Z3TA+2
CHE Chip Soundset Z3TA+2
CHE Cyberkinesis Soundset Z3TA+2
CHE Electric Energy Soundset Z3TA+2
CHE Radio Transmission Soundset 2012 Z3TA+2
CHE Starship Enterprise Soundset ZETA+2
CHE Thao Tsou Soundset 2012 Z3TA+2
CHE Transformation Soundset Z3TA+2
CHE Wave Sound Art Soundset Z3TA+2
D’n’B Presets Z3TA+
DanceMidiSamples Hardstyle Z3TA+
Darwins Hardcore Z3TA+
Design a Sound Commercial Electronica Z3TA+2
Digital Sound Factory Wave Scape Z3TA+
Dj Sunland 26 Presets Z3TA+
Dj Tools Commercial Soundbank 4 Z3TA+
EBM Z3TA+
EddoGQ MoreQuality Z3TA+
Euphoric Trance Soundbank 1-3 Z3TA+
FEELpsycho Rev The Engine Z3TA+
FlameTop Zeta Presets Z3TA+
Fr4ncesco Muz3um Z3TA+
Fr4ncesco Patch Arena Muz3uM Z3TA+2
Fr4ncesco Silvestri Virus MOD Z3TA+
Fr4ncesco VIRUS MOD 2 Z3TA+
Fr4ncesco VIRUS MOD 2.1b Z3TA+
Freshly Squeezed Samples Sunny Lax Essentials Z3TA+2
Hard House Z3TA+
Herald Karla Cat1 (Jonson stuff) Z3TA+
Herald Karla Presets Z3TA+
Hy2rogen Soundset Synth Presets Vol.1 Z3TA+
Jordi Trujillo Rius LlunaSol Z3TA+
Justin Harris House Synths Z3TA+
Kire Commersial Tranc Z3TA+
Kire Fat analog Z3TA+
Kire Set All Z3TA+
Kire Trancebank Z3TA+
Kire Trancemania Z3TA+
KVR Collaboration Z3TA+
Loopmasters Patchworx 11 Justin Harris House Z3TA+
Loopmasters Patchworx 45 free Presets Z3TA+2
Loopmasters Patchworx DomKane House Z3TA+2
Loopmasters Patchworx Meat Katie Tech Funk Synths Z3TA+
MattBaka DiscoTreats Z3TA+
MfLI 50 Arped Tunes Z3TA+
MW-DnB Power Supply Zeta+ Pack 1 Z3TA+
Noname Z3TA+
Patch Arena The Wall Z3TA+
Peahead P3D Z3TA+
Peter Schelfhout Vintage And Dance Z3TA+
PlayTheWaveSynth ReAction Soundset 2011 Z3TA+2
ProSounds Max Collection Z3TA+
Riot Presets Z3TA+
Robert Todd Dirty House Z3TA+
Sfaction Bass Z3TA+
Simesf Zeta Bank Z3TA+
Snow Audio Kicks Z3TA+2
Solo Guitar Presets Z3TA+
Soundbank 1-3 Z3TA+
Sounds To Sample Bigroom Elektro 1 Z3TA+2
Sounds To Sample Bigroom Elektro 2 Z3TA+2
Spe3d 16 Sound Bank Z3TA+
Spe3d The Next Level Z3TA+
Uneek Sounds Sounds Of The Universe Z3TA+
Vandalism Shocking EDM Z3TA+2
Vandalism Shocking Progressive Z3TA+2
Various Presets Z3TA+
Vengeance Soundset 1 Z3TA+
Xenos Soundworks Dark’n’Dirty Z3TA+
Xenos Soundworks Deadly Dubtronica Z3TA+
Xenos Soundworks Powerhouse Dance Collection Z3TA+
Xenos Soundworks Vintage 70s and 80s Z3TA+

Like friends, soft synths come and go, but only a few will be there for you year after year. In this sense, Z3TA+ 2 is a firm ally of ours.

It’s been that way ever since the first version, programmed by René Ceballos of rgc:audio, debuted in 2002. A few years later, Cakewalk took on rgc:audio, and in 2007 gave us Z3TA+ 1.5. After that, though, it looked as if Z3TA+ was going nowhere, until v2 was unexpectedly announced a few months back.

While the interface has had a significant functional and aesthetic makeover, the synthesis architecture hasn’t changed.

Z3TA+ 2’s most distinctive feature remains its oscillator section, featuring six wavetable oscillators with waveforms ranging from analogue favourites (saws, squares, etc) to grungy, harmonic-laden affairs. There’s an eight-voice unison mode, oscillator reset/sync and typical pitch controls.

Each oscillator is connected to the next, in a circular fashion, so the sixth feeds back to the first. The Group controls determine how they interact: the Add mode mixes them, like normal synth oscillators, but you can also use ring, phase or frequency modulation and hard sync.

Already this gives the oscillators potential for everything from smooth analogue tones to the weirdest, dirtiest noises imaginable.

The part of your brain that deals with soft synthesis is no doubt throbbing already, but get a load of this: each oscillator has a waveshaper with 16 sliders for radically reshaping the waveform.

Some are self-explanatory, such as LP and HP Filter, but others have an abstract effect that cannot be described.

There are four new waveshaping styles: Random All, Random Odd, Fold and our favourite – Spectrum.

Throwing shapes

In previous versions of Cakewalk Z3TA+, wiggling the waveshaping sliders showed potential for some cool sounds, but frustratingly, you couldn’t target them using the modulation matrix.

Well, now you can, and this is perhaps the most exciting new feature of Z3TA+ 2 in terms of raw synthesis power.

Of the dual filters, in addition to the nine variations on low-pass/high-pass/band-pass/band-reject (which are decent, but not breath-taking) and formant filter, there are three new stacked resonant modes (which make use of the new Separation control) and a comb filter.

When pushed, these additions can lead to rasping, squealing sonic mayhem that’s great for contemporary dance genres, and the per-filter limiter option can keep them under control.

Serial offender

The filters can be arranged in serial (Dual) or parallel fashion and panned individually. The way Z3TA+ 2 handles stereo signals (ie, when using stereo unison oscillators) is still limited, however, because when you run the filters in parallel, they operate in mono, and you thus need to use both of them to achieve stereo filtering.

The mod matrix is much the same as before, with 16 slots and Range, Curve and Control columns for more control than most synths, but it’s not so intuitive compared to more visual modulation schemes, such as in NI’s Massive.

Main mod sources are six envelopes and six LFOs. The new graphical view makes envelopes easier to edit and the potentially complex LFOs readily grasped.

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One thing we’re not keen on is the non-standard labelling of tempo sync modes, where ‘1’ means one quarter note (ie, one beat), ‘1/4’ means a 16th-note, etc. Weird.

Oversampling options are the same, going up to 2x (but no higher). There is a new ‘Highest’ option for wavetable quality that can reduce artifacts in certain grungey patches.

Flying fingers

There are a few new performance features for Z3TA+ 2, and the most novel is Adaptive Pitchbend.

Normally, when you use the pitchbend wheel, the wheel’s maximum always gives, say, a two-semitone increase. Thus it’s pretty easy to bend notes out of key. Not so with Adaptive Pitchbend. Enable this, set the desired key, and the maximum travel of the pitch wheel always gives a note that’s in key.

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It even works on chords, reconfiguring major triads to minor on the fly, for example. If you don’t want to play in a fixed key, there’s an adaptive mode that will attempt to follow you, and it works quite well.

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In use, this is all tremendous fun and very inspiring, whether you’re a grade-eight wiz on the keys or a one-fingered plonker.

Elsewhere, there’s an XY pad mod source that can be controlled by MIDI or even a joystick.

Finally, the arpeggiator has been improved, now displaying the pattern (note that it’s not an editor).

There are also Humanize and Swing controls (the latter lacks the option to swing eighth-notes or 16th-notes, however), and most excitingly, the option to import any MIDI file as a pattern.

This latter feature was actually present in previous versions, yet it never seemed to work properly. It does now, though!

Distorted reality

The effects (distortion, modulation, delay, compression, reverb, EQ/amp sim) can now be dragged into any order, making them all the more useful.

The Distortion module has new routing modes, and its Smart Shaper is replaced by the HyperTube mode, which sounds similar but seems capable of a tad more grit without compromising clarity, and so works well on chords and complex patches.

Oddly, Valve Amp mode now offers slightly more drive, but the Heavy Metal option has far less, and is now the meekest of the lot.

Oh, and there’s no effects version of Z3TA+ this time around. Shame!

Previously, Z3TA+ attracted microtuning fanatics with its multiple optional tuning styles and ability to import tuning files. These features have disappeared for v2 – we’re sad to see such forward-thinking geekery struck off the list.

Cakewalk Z3TA+ was always known for its masses of great patches, and as well as a bank of classic Z3TA+ patches, there are more than 1,000 new ones that really do show off what the synth can do.

There are ace atmospheric pads; glassy FM bells; dance sounds ranging from funky and classic to modern and hard; 70s/80s analogue-alikes; some wicked FX and drum hits; laudable attempts at recreating real instruments; ‘one-finger’ evolving sequences and more.

While the underlying sound engine hasn’t changed much, the sound quality stands up to other modern soft synths, especially since it’s now more feasible to pile on lots of oscillators and leave the 2x oversampling on as standard.

We’d recommend Z3TA+ 2 to anyone looking for a powerhouse synth, especially at just £69.

If you’re a newcomer to synthesis, expecting to make all your sounds from scratch, you could be out of your depth, although it’s great as a ‘preset machine’, and it’s easy enough to tweak presets to your taste.

Those who will get the most out of Z3TA+ 2, however, will be hardcore synthesists and sound designers, for whom a world of aural exploration awaits.

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