Cubase Studio Eq Vst Download

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Frequency EQ: eight bands, with flexible filter choices, mid-sides and left-right options in each band, and very useful visual and audio-based feedback.

Cubase 9 Pro’s Frequency EQ plug-in can do everything from gentle tone shaping to delicate mid-sides surgery.

One of the excellent new features Steinberg introduced in Cubase Pro 9 is a brand-new EQ plug-in called Frequency EQ. All the previous EQ options are retained but Frequency EQ is a powerful plug-in, which represents a considerable step up. There are eight available frequency bands and you have the choice, on a per-band basis, of mid-sides or left-right EQ. So while Frequency EQ can most certainly be used for general tone-shaping duties, it’s also capable of much more surgical operations. And as we’ll see in a minute, the UI also includes some very neat features that can assist you in making your EQ decisions.

Setting The Tone

Bands one and eight offer a selection of cut filters as well as the low-shelf, peak, high-shelf and notch options.In the lower half of the display, the eight EQ bands can be toggled on/off individually. All bands feature low-shelf, peak, high-shelf and notch options, while bands one and eight also offer cut filters, with slopes all the way up to a whopping 96dB per octave — that’s very handy if you want to filter off everything below/above a very specific frequency. The cut filters also benefit from a Q control, which can add resonance (an EQ hump) at the turnover frequency. This can be a great way to add a nice bit of heft to a bass/kick sound while rolling off unwanted rumbles lower down the spectrum.

If you’re working with a stereo source, all eight bands can be used in Stereo (the default), mid-sides or left-right modes. In the latter two modes, each band offers you two sets of controls to apply different EQ settings to each channel. They can also be switched on/off individually.

In the upper half of the display is a real-time spectrum curve (or histogram, if you prefer) with variable-time averaging and peak hold, and a colour-coded EQ curve for the active EQ bands is also displayed. So far, so standard, but as you move the cursor within the spectrum display, Frequency EQ also gives you real-time data: the frequency, gain and musical pitch of the current cursor position are all displayed, which can be very useful.

Frequency EQ also offers two further bits of ‘assistance’. First, if you click on the small keyboard icon (located mid-left), a piano keyboard graphic appears under the spectrum display. Notes that most closely match the centre frequency of a specific EQ band appear colour-coded; hover the mouse over these and you get both note pitch and frequency data in a small pop-up panel. And, if you want, you can drag an existing colour-coded note along the keyboard to change the band’s centre frequency.

Second, and really useful when you’re trying to identify a specific frequency to adjust, is the Auto Listen for Filters option (toggled on/off via the speaker icon, located top right). With this enabled, move any control or drag a frequency band node in the display, and Frequency EQ solos just that band. You can, therefore, really focus in to find a specific ‘problem’ frequency or hear what your shelf or cut filters are doing at the top/low end as you make adjustments. Ear training might not have been Steinberg’s first thought when designing Frequency EQ, but it is a useful bonus of the Auto Listen feature.

Notch it

Let’s look at some examples of applications for Frequency EQ, starting with something that’s simple but can, on occasion, be incredibly useful. As mentioned above, all frequency bands offer a ‘notch’ filter type, which is similar to the standard peak-cut filter but offers control over much narrower frequency ranges. If you have a noise issue within your audio at a very specific frequency — 60 or 50 Hz mains hum would be a good example — then a notch filter might allow you to kill it with minimal impact on the (wanted) frequencies around it. This is pretty surgical stuff; Notch is the narrowest EQ filter Cubase has ever offered.

Incidentally, when trying to locate a problem frequency to cut, it’s common practice to apply a healthy amount of boost and then sweep through the frequency range until you find the offending element. Obviously, the Auto Listen function really comes into its own here. However, once you’ve identified the frequency, Frequency EQ’s INV buttons (located beside each of the Gain knobs) can also instantly convert your boost into exactly the opposite amount of attenuation, which is neat!

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Wide Boy

Frequency EQ can be great for drum overheads. Here band one cuts the very low end while also giving the kick drum a lift. Band two is set to M-S mode and helps focus the low end in the centre of the stereo image, while band eight, also in M-S mode, adds a little extra to the sides at the high-mids/top-end for additional stereo width. All other bands have been switched off.Given the mid-sides and left-right options, one application of Frequency EQ is to manipulate the stereo image of a recording. There are lots of possibilities but two examples illustrate the potential. First, imagine you have recorded a stereo guitar track (perhaps it’s a two-amp electric guitar performance, with a mic on each cab). Come mix time, you find you need to EQ the left and right sides of the stereo file differently. Previously in Cubase, this would have required the stereo file to be split into two mono tracks. With Frequency EQ, though, you can just switch a band or two to L-R mode and tweak away to your heart’s content. This could be done for corrective or creative reasons — some gentle cuts and boosts in the mid/high-mid frequency ranges, but applied at slightly different centre frequencies, can usefully increase the apparent stereo separation of the two channels.

A second example is a stereo drum track and, more specifically, a stereo drum overhead recording. At the low end, you can set a band to M-S mode and apply a little cut to the sides signal, along with a little boost to the mids — this can help focus the kick drum into the centre of the stereo image more tightly, where that’s needed. At the same time, should you wish, you can push some of the higher-frequency drum resonances and cymbals a little wider in the stereo image by applying a high-frequency boost to the sides and cut to the mids. Mid-sides or left-right EQ can also be particularly useful for teasing out specific parts of the drum kit within the stereo overhead recordings, making it much easier to emphasis individual elements where desired.

Decluttering Reverbs

Clean up your reverb return? As described in the main text, M-S EQ can help you ‘place’ your reverb to keep it audible while decluttering the centre of the stereo field.Another neat mid-sides EQ trick involves Cubase’s reverb FX Channels. In a busy mix, a bit of EQ can often be applied to the return from the reverb to roll off some of the low end and, for a warmer sound, some of the top end also. Frequency EQ’s cut filters can perform this role and stop the reverb cluttering up the mix.

However, you can take this a little bit further by applying a mid-sides peak filter. For example, you might apply some gain reduction in the low-mid frequency range to just the mid channel to ‘clear out’ the reverb from the (often overcrowded) centre of the stereo image. You might apply an opposite boost to the sides, either at the same frequency, or perhaps slightly higher, to place a little more of the reverb at the extremes of the stereo image where it might be competing less with other elements.

Master Tweaks

EQ to ‘rescue’ a stereo mix needs to be subtle. Here I’ve tried to lift a vocal with a bit of mid-band-only gain at around 300Hz, while also taming a keyboard part on the left side of the stereo image at around 1kHz.Mid-sides and left-right EQ can also be very useful at the mastering stage, so here are two quick examples. First, mid-sides EQ can be used as a ‘sweetening’ tool on a stereo mix, in much the same way as described above for a drum bus, to focus the lower frequencies in the centre of the stereo image and to add a little extra stereo width at the top end. Second, imagine you have a stereo mix and you realise there’s a problem with a specific instrument, but you don’t have the option to go back to the mix to attend to it. This might be anything from the lead vocal needing a subtle volume adjustment, to the kick drum needing a little boost or the left-sided crash cymbal needing to be tamed a little. Because you can selectively apply EQ to the mid, sides, left or right channels, you can apply gain boost/cut at not just the dominant frequency of the problem instrument (which you could do with any EQ) but also focused on its spatial position in the mix. Yes, this might be a bit of a rescue job, but where the tweaks needed are modest it could be a life-saver — and with automation to target specific points in time, your surgery might be made less invasive still.

Frequency EQ is by far the most powerful, versatile and intuitive EQ plug-in ever bundled with Cubase — the above examples really just scratch the surface of what’s possible. Naturally, it is only available to ‘Pro’ users, but if you’ve been looking for an extra excuse to move to Cubase Pro 9, Frequency EQ might be it!

Published June 2017

VST plugins are virtual instruments and effects for a digital audio workstation. These are the best free VST plugins to use in your music production studio.

Scroll down to browse the VST plugins based on their category. Each category page features the best free virtual instruments and effects for a specific music production task. Welcome to the internet’s most up-to-date directory of freeware VST plugins.

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Free VST Effects

Freeware effects in VST plugin format:

  • Autotune – Free alternatives to Antares Auto-Tune.
  • Bitcrusher – An extensive collection of freeware bitcrushers.
  • Chorus – A selection of the best free chorus effects.
  • Compressor – Dynamic range compressor VST plugins.
  • Compressor (Multiband) – A collection of multi-band compressor effects.
  • Compressor (Sidechain) – A collection of compressor effects with side-chain input.
  • Delay/Echo – Add depth to your mix with these excellent freeware delay effects.
  • Distortion – Distort and saturate your audio with these freeware plugins.
  • EQ (Graphic) – Free graphic equalizers in VST format.
  • EQ (Linear-Phase) – Linear-phase equalizers in the VST plugin format.
  • EQ (Parametric) – Standard parametric equalizers for mixing and mastering purposes.
  • Filter – A collection of filtering effects.
  • Flanger – Free flanger VST effects.
  • Gate (Noise Gate) – Freeware VST plugins for removing noise from recordings.
  • Granulator – A collection of granular effects to really mess up your audio.
  • Guitar Amp – Large collection of virtual guitar amplifier VST plugins.
  • Guitar Cab (coming soon)
  • Limiter – Free limiter effects for mastering and mixing.
  • Phaser – The best free phaser plugins.
  • Reverb – Algorithmic reverb VST plugins.
  • Reverb (Convolution) – Convolution reverb VST plugins.
  • Saturation (Console/Tape/Tube) – Get a warmer sound using free saturation tools.
  • Stereo Enhancer – Enhance the stereo separation in your mix with these freeware effects.
  • Transient Shaper – Make the drums more prominent in a mix with these free transient shapers.
  • Vocoder – Become the next Daft Punk with these vocoder free VST plugins.

Free VST Instruments

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A selection of free virtual instruments in VST plugin format:

  • Drum Machine/Synth – Instruments for synthesizing and sequencing drum sounds.
  • Organ – A collection of free organ instruments in VSTi plugin format.
  • Piano (Acoustic) – Free VST plugins that emulate acoustic pianos.
  • Piano (Electric) – Virtual instruments that emulate electric keyboards.
  • Sampler – The best freeware VST plugins for audio samples.
  • Sound Module/Workstation – A round-up of virtual instruments that function as romplers.
  • SoundFont Player – If you’re feeling old school, load your old SF2 files with these free plugins.
  • String Machine – A collection of string ensemble instruments. Jean Michel Jarre will love these!
  • Synthesizer – Best free synthesizer VST plugins.

Free VST Utilities

Other useful freeware VST plugins:

  • Arpeggiator – A collection of freeware arpeggiator VST plugins.
  • Oscilloscope – Free oscilloscope tools.
  • Spectrum Analyzer – Visualize your mix with these freeware spectrum analyzers.
  • Step Sequencer – Sequence your virtual instruments with these freeware step sequencers.

VST Host Applications

A selection of free audio editors, digital audio workstations, and other applications that host VST plugins:

  • Audio Editing Software – Audio editing programs that can host VST plugins.
  • Digital Audio Workstations – The best free DAW software.
  • Free Mastering Software – Freely downloadable VST plugins for mastering.
  • Free Music Production Software – The best free music-making tools for beginners.
  • Free Video Editing Software – Edit your music videos for free.
  • VST Host Applications – Directory of VST plugin hosts for music production and live performance.

Free VST Plugins From Each Year

For quick access to the best VST plugins from each year, check out the articles listed below:

Find more music production tools in the Free Software Archive. The archive includes VST plugins, mobile apps, DAW software, audio editing software, and more. Browse our articles all the way back to 2009 when BPB was launched.

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What Is A VST Plugin?

In case you’ve never used free VST plugins before, here’s a brief introduction. The acronym VST stands for Virtual Studio Technology. The technology allows music producers to load third-party audio effects and virtual instruments in their digital audio workstation. Virtual Studio Technology was introduced by Steinberg in 1996 and has made a massive impact on the way we produce music today.

A VST plugin is a software effect or a virtual instrument intended for use in a host program that supports Virtual Studio Technology. VST plugins are used to expand a digital music studio, in the same way hardware effects and instruments are utilized in a real studio. There are literally thousands of VST plugins available for free download on the internet. As a result, we have created this free VST directory to help music producers find the right tools.

Using VST Plugins

Choosing the right audio software and learning to use it properly will ensure an efficient workflow when producing music. Therefore, make sure to familiarize yourself with the software available in your VST plugin folder. No one wants to use a complex plugin for the first time during a critical mixing session.

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Step 1: The DAW

First of all, you need to choose the right digital audio workstation. The decision to use freeware or commercial music production software is up to you and your budget. The first thing to keep in mind when choosing your DAW is the workflow. Is the interface intuitive? Does the control layout seem logical to you? Does the application provide all the recording and mixing features you’ll require? And most importantly, can it host VST plugins?

The best free digital audio workstations right now are Tracktion 7 and Cakewalk by BandLab. Both applications can load VST plugins.

Cubase Studio Eq Vst Download

Step 2: Downloading Free VST plugins

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Now that you’ve picked your DAW, you’re all set to start building your collection of free VST plugins. Remember to always go for quality instead of quantity. The biggest mistake people make when discovering Virtual Studio Technology and the world of free VST plugins is to download hundreds of freebies and to hoard them on the hard drive. This is bad for your workflow and productivity. Imagine all the clutter and chaos in a real-world studio stacked with hundreds of hardware instruments and effects that no one will ever use. You don’t want such a mess in your virtual studio, either.

Stay organized when choosing your virtual instruments and effects. This page is a great place to start because we’ve listed only the best freeware VST plugins in each category.

What you need is a small but mighty collection of audio software that will cover all of your music production needs. Take the time to examine the plugins on offer and keep only the ones that you really need. Keep your mixing toolbox lightweight and efficient. Limit yourself to no more than three virtual compressors, equalizers, synthesizers, etc. Install only the tools that best suit your workflow and learn how to use them. Read the manuals, watch the video tutorials, and spend some time experimenting with your free VST plugins.

Step 3: Staying up to date

Finally, keep your plugins up to date. Developers often release updated versions of their freeware plugins, which include essential bug fixes and additional features. Free dynamic eq vst. Keep an eye on our news section to stay informed about the latest updates of popular VST plugins. Also, consider subscribing to our email newsletter to receive the latest freeware news straight to your email inbox.

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If you’re looking for even more freeware plugins for your DAW, check out the huge database over at KVR Audio.

Cubase 5 Eq Plugin Download

Updated on February 21st, 2020.