Am Freehand Vst Download
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Freehand is a wavetable synth that can produce a wide range of sounds, as you can draw your own waveforms, save and load them up again, even randomize your waveforms. Also it has got frequency modulation sequencers added to the FM features, which gives Freehand a unique sound. Inlcuded are over 150 waveforms and 100 presets. Freehand comes in two versions, SL and Full. The full version will set you back only 10 dollars, and gives you more features, for instance an additional 200 professional presets making a total of 300 presets, and 32 voices. Don’t let the low price fool you, this is an awesome synth that I use myself in all my produce!
Freehand comes in two flavors, freeware (SL) and Full. The 2 versions just have little difference, but getting the full version will help us continue to do what we do. If you really like Freehand, please consider getting the full version.
KarBass is free VST plug-in for Windows PC. KarBass is a straight forward bass synth, with a Karplus oscillator that brings string like sounds. Smoothing gives you pick to fingered sounds. If I may ask a question: on 64-bit Windows, I have a couple of VSTs that are on the list - specifically SQ8L and AM Freehand Free. I can download the patches, and when I click on one, I'm given a 'file finder' window where I'm supposed to locate the DLL.
Freehand Specifications
- Mar 30, 2009 Freehand is a Wavetable Synthesizer. Features: - 3 Wavetable Oscillators - 135 prefab waveforms in 10 category's - Wavedrawing - Random wa.
- Freehand is a wavetable synth that can produce a wide range of sounds, as you can draw your own waveforms, save and load them up again, even randomize your waveforms. Also it has got frequency modulation sequencers added to the FM features, which gives Freehand a unique sound. Included are over 150 waveforms and 100 presets.
- Zen by BigTick (@KVRAudio Product Listing): Zen is a Universal Presets Manager: It loads in any host as a VST instrument, and acts as a loader for other VSTis. So with Zen, you can search for Rhodes piano and get a list of all matching presets – regardless of the final VSTi (Rhino, Zebra, Absynth. When you select one of the presets in Zen, the corresponding VSTi is automatically.
- ReFX – Nexus 2.2 VST x86 SBAudio – Synthetic 1.0.4 VST x86 Novation – V-Station 2.2 VST, VSTi3, RTAS WIN.OSX x86 x64 Native Instruments Bundle VST, RTAS, AAX x86 x64 Vst Windows x86 Chorus Delay Distortion effects Filter frequency Instrument music new one Reverb Rom sound Synth Synth Hybrid Synth Sample Based Synthesizer vst Vsti x86.
Freehand (PC) Developer AMVST Freehand is a wavetable synth that can produce a wide range of sounds, as you can draw your own waveforms, save and load them up.
Am Freehand Vst
Free Vst Download Site
Minimum System Requirements
Important Note: No MAC support. Windows only.
Nexus2 is the kind of instrument that you go to when you don’t want to spend time programming – it’s a ROMpler rammed full of inspirational, pro-quality sounds.
Nexus is a next generation ROM synthesizer.
Nexus delivers complex, ultra-fat, contemporary soundstorms. A powerful and flexible architecture is the foundation that supports the immediately useful and spontaneously engaging design of the instrument. Every aspect of Nexus was built to produce music of the highest quality, quickly, with the least amount of fuss.
Nexus features a 32-step arpeggiator with note-transposition, a 32-step trance gate, reverb licensed from Arts Acoustic, and a sophisticated modulation-matrix that will help you sculpt the sound.
Nexus includes a comprehensive 4GB library of over 880 sounds driven by a friendly internal librarian to find the exact sound you need in the heat of the creative moment. Features like search, favorites, and categorization are standard not only in the factory library but in all available expansions. Nexus offers an array of expansions covering a wide gamut of contemporary music styles and produced by the worlds top sound designers.
Nexus is very frugal with the CPU and careful with your RAM.
Nexus is an accessible instrument with contrast controls and several skins available which can change the appearance from black, to blue, to C64 beige
The sounds
The Library tab enables you to browse the 762 factory presets via the faux-LCD screen. These are split into 16 subcategories, including Arpeggios, Dance Leads, Piano, Fantasy and Dream, Epic Pads, Gated Pads, Classical and more.
This amounts to 4GB of content created by Manuel Schleis, the golden-eared sound-wizard behind the acclaimed Vengeance series of dance sample discs. The manual says that “prohibitively expensive analogue hardware devices” have been sampled, and the kinds of synth patches that are tricky to recreate in software are much in evidence, such as Roland JP-8080 and Access Virus leads and pads.
Nexus2 remains a dance-music-focused product, and this is affirmed by the inclusion of an all-new expansion: Dance Vol. 2. This is in addition to the factory bank outlined above and adds 128 bang-up-to-date dance patches that are especially suited to trance, electro house and hard dance styles.
Tweaking potential
You can’t create sounds from scratch using Nexus2, or import samples into it, but there are sound-shaping options aplenty. The front panel knobs and buttons are unchanged since v1, yet the LCD panel offers some neat new tricks.
The Mod screen offers control over vibrato, portamento and pitchbend (now with a +/-48 semitone range), but the main point of interest is the spruced-up modulation matrix. This now has over 100 destinations, and all effects (except ensemble) have at least one modulatable parameter.
Mod sources include the mod wheel, aftertouch, pitchbend, CC and host automation, and twin user LFOs. When we used the first version of Nexus we grumbled about the lack of those user LFOs (they eventually debuted in v1.2), so this time we’re going to suggest that since the mod matrix is more powerful, there should be user ADSRs too.
Nexus2’s arpeggiator and Trancegate each have their own page and are among the best we’ve seen. As well as the usual arpeggiator modes for up, down, order, and so on, Nexus2’s has a mini-sequencer in which you can set the octave and – new for v2 – semitone transposition per step.
Sequences can be up to 32 steps long, and you can set the note length and velocity for each. The display zooms in and out as you adjust the length, so that the sequence always occupies its full width. Markers above the sequencer area show quarter-note beats and the current play position, and there’s a movable loop-point marker.
Fans of funk will enjoy the new Shuffle option, although we’d like eighth-note swing, too. Strangely, the random mode didn’t work – it gave the same results as the ordered one.
Whereas the arpeggiator triggers notes within the synth, the trancegate is an effect – it modulates the volume level, and can create choppy, gated trance pads. The length is now freely adjustable and new Delay and Fadein controls can introduce the gate effect gradually when a new note is played (we’d like this on the vibrato too). The marker and shuffle functionality of the arpeggiator are replicated here as well.
There are lots of preset patterns for the arp and trancegate, and you can also set odd pattern lengths for each to create shifting, prog-tastic polyrhythms.
Mix screen and effects
The Mix screen offers perhaps the most useful new features. Nexus patches are built from up to four layers, and you can now mute layers and set their volume, panning, transpose and detune parameters. This is most welcome, and by stacking Nexus2 instances, you can effectively combine layers from separate patches.
As well as the front-panel delay and reverb, you now apply two global effects, rather than just one. They are: chorus, flanger, phaser, ensemble, degrader, distortion, phaser, and, new for v2, a stereo enhancer and an analogue phaser. A new preset librarian stores/recalls effects setups.
The stereo enhancer is handy and works on a given frequency range, but the analogue phaser is the real star. It’s licensed from ArtsAcoustic (who also supplied Nexus’s fantastic, pro-quality reverb) and gives a lush, smooth tone that distinguishes it from the existing phaser. It has more controls too, with adjustable upper/lower frequencies and up to 16 stages. With the Speed set to 0, the phaser’s position can be directly manipulated using the lower frequency value, which is a destination in the mod matrix.
A proper parametric EQ has been added, with eight filter options for each of the four bands. Oddly, the values in the display don’t correspond to the frequencies affected – when we dialled in a 5kHz boost, the peak was actually at 1kHz.
Summary
For a huge bank of high-quality, ready-to-go synthetic tones for contemporary genres, it’s hard to beat Nexus2. Many of the sounds are instantly inspiring in themselves, and the slick interface and preset categorisation help to keep that inspiration flowing.
We can’t say that about every virtual instrument and the majority of them don’t sound as good as Nexus2, either.